Center for Justice in the Arts

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Cultivating ethical practice, social change, and reimagining the role of arts and culture in public life.

With over $1 billion in annual impact and 1,600 arts organizations, the arts industry in Minnesota is an important economic priority for our state, students, and community. The Center for Justice in the Arts was created in response to the growing demand for young, community-centered art professionals. CJAX advances justice through exhibitions, education, and community partnerships by cultivating culturally responsive and ethical curatorial practices, supporting artists, and reimagining the role of museums and cultural institutions in public life. We believe that curatorial practice is a moral and philosophical practice that fosters dialogue, healing, and social transformation. Through collaborative exhibitions, student training, public scholarship, and partnerships with artists and communities, the Center works to build a more equitable arts ecosystem in Minnesota and beyond.

Past Work

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Past Work

“Healing Words / Healing Mind,” Rhymesayers, Minneapolis, MN (September 2024)

Curated by

  • Dwight K. Lweis Jr., Assistant Professor of Philosophy, College of Liberal Arts, University of Minnesota Twin Cities
  • Daniel Greenberg, Assistant Professor of Art History, College of Liberal Arts, University of Minnesota Twin Cities

Exhibition Description

Healing Words / Healing Mind showcases the calligraphy and photographs of Rev. Seido Suzuki, the abbot of Toshoji in Okayama Province, Japan. Each of the works on display are connected to a longstanding tradition within Zen practice that considers art as a form of spiritual practice, representing the mental state of the artist at the moment of their creation. Roshi’s calligraphy records the natural, rhythmic, and spontaneous qualities of a Zen mind deeply engaged in the process of creation.  His photographs capture his unique perspective, finding wonder and joy in the natural and built landscape of Toshoji. Rev. Seido Suzuki’s art offers a path to self-reflection, peace, and healing for ourselves and our broader communities.

Public Press

“Layers of Joy:” Quarter Gallery UMN, Minneapolis, MN (November–December 2024)

Colorful mosaic with text Layers of Joy over top

Curated by

  • Dwight K. Lweis Jr., Assistant Professor of Philosophy, College of Liberal Arts, University of Minnesota Twin Cities
  • Daniel Greenberg, Assistant Professor of Art History, College of Liberal Arts, University of Minnesota Twin Cities

Exhibition Description

Layers of Joy is a celebration of Black art, identity, and community in Minneapolis. The exhibition showcases the work of five early and mid-career artists that examine how layered materiality and artistic practice intersect with the multiplicitous nature of existing as Black. Even as the exhibition highlights the distinctness of their perspectives, it foregrounds how these artists are united through Black joy as a tool for individual expression and community engagement. View the full exhibition catalog PDF, or visit the exhibition website for a full 3D tour, visual and audio descriptions, artist bios, and more.

Exhibition Website

 

Public Press

“Impressed: Kelly Wang,” Quarter Gallery UMN, Minneapolis, MN (February–March 2026)

art piece with silhouette in front

Curated by

  • Dwight K. Lweis Jr., Assistant Professor of Philosophy, College of Liberal Arts, University of Minnesota Twin Cities
  • Daniel Greenberg, Assistant Professor of Art History, College of Liberal Arts, University of Minnesota Twin Cities

Exhibition Description

Kelly Wang (b. 1992) is a New York-based artist whose work examines and redefines Asian-American identity and considers the reality of being a diasporic artist. Impressed reflects the way history presses itself upon our lives to be seen, felt, and heard across cultures, generations, and national borders. Wang's work insists that cultural impressions, even when partial or subconscious, carry forward histories of migration, displacement, and resilience. This tension is reflected in her artistic methods, which build upon a process of impression and release to transmit elements of her sources while leaving others behind. These works consider the loss and opportunity created through diasporic inheritance, as well as art's potential to construct new forms of transnational identity. Take a 3D tour of the exhibit or view the full exhibition catalog PDF.

Take the 3D Exhibit Tour

Future Projects

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Future Projects

Ongoing Curatorial Collaborations

We maintain a curatorial and institutional collaboration with these institutions to develop exhibitions, public programming, artist partnerships, and student-centered curatorial projects. These initiatives connect contemporary artistic practice with questions of identity, community, justice, and public life.

  • Katherine E. Nash Gallery,  Director Teréz Iacovino

  • Rhymesayers Entertainment, Vice President Sierra Carter

  • Institute for Advanced Study, Director Bianet Castellanos

  • Religious Studies Program, Director Katharine Gerbner

“Creative Conversations: Religion and Contemporary American Arts,” UMN (2031–32)

Campus Principal Investigator and Curatorial Leadership Team Members

Multi-site national exhibition funded by the Lilly Endowment (approximately $2.5 million), in collaboration with Yale University, the Center for the Study of Material and Visual Cultures of Religion (MAVCOR), and partner museum venues across the United States. Co-led at the University of Minnesota with Daniel M. Greenberg (Art History), Katharine Gerbner (Religious Studies), and Nathanael Homewood (Religious Studies).

Working Exhibition Description

Creative Conversations: Religion and Contemporary American Arts is a nationally coordinated, multi-venue exhibition exploring the diverse ways religion, spirituality, and material practice shape contemporary American and Caribbean art. As Campus PI and member of the Curatorial Leadership Team, I contribute to the exhibition's curatorial vision, artist selection, pedagogical programming, and public engagement initiatives. The project brings together emerging, mid-career, and senior artists working across religious traditions, including Protestant, Catholic, Jewish, Muslim, Indigenous, African diasporic, and other spiritual practices, to examine how religion is expressed, embodied, and transformed through contemporary artistic practice.

Building on my previous curatorial work (Healing Words / Healing Mind, Layers of Joy, and Impressed), this project continues my commitment to exhibitions that unite philosophy, religion, art history, and community engagement. In addition to the exhibition itself, the project includes public programming, undergraduate and graduate research opportunities, artist collaborations, a major exhibition catalogue, and a shared digital humanities platform connecting participating institutions across the United States.