Sam Gould: An artist, writer, and publisher, Sam Gould co-founded artist collaborative Red76. As the lead editor of Red76 his work was commissioned by institutions such as Creative Time, the Smart Museum, the Walker Art Center, and many others. In 2014 he chose to focus the majority of his practice within walking distance of his home in South Minneapolis and established Beyond Repair, an "expanded publication." As an extension of Beyond Repair, in 2020 he co-founded Confluence Studio, a social craft incubator. Interested in ideas about publication as an act of public making, his work often focuses on sociality, education, and encountering the political within daily life.
Tish Jones: Founder & Executive Director of TruArt Speaks, Tish Jones is a poet, narrative strategist, cultural producer, and educator from Saint Paul, MN, with a deep and resounding love for Black people, arts & culture, youth development, and civic engagement. As a performance artist her work has been shared in venues throughout the United States. Her writing can be found in We Are Meant to Rise (University of Minnesota Press), A Moment of Silence (Tru Ruts and The Playwrights Center), the Minnesota Humanities Center’s anthology Blues Vision: African American Writing from Minnesota (Minnesota Historical Society Press) and elsewhere. Currently serving as a Jerome Hill Artist Fellow and an Arts Matters Artist2Artist Fellow, Jones is grateful to have been supported through grants, fellowships, and awards from The Intercultural Leadership Institute, Springboard for the Arts, Minnesota State Arts Board, and more. The generous support she has received over the years has allowed her to excavate the kind of stories that chart new worlds—and she is eternally grateful.
Sara Marcus is an Assistant Professor of English at the University of Notre Dame, where she is also affiliated with the Gender Studies program and the Initiative on Race and Resilience. Her new book, Political Disappointment: A Cultural History from Reconstruction to the AIDS Crisis, is now available from Belknap Press of Harvard University Press. Her previous book, Girls to the Front: The True Story of the Riot Grrrl Revolution (Harper Perennial), was a finalist for the National Award for Arts Writing and has been published in Spanish, Polish, and Portuguese. She is also an associate editor of the Journal of Popular Music Studies, and her essays and criticism on literature, music, sound, and art have appeared in publications including Artforum, Bookforum, Dissent, the LA Review of Books, the Los Angeles Times, the New Republic, Public Books, and Texte zur Kunst. She holds a Ph.D. in English and Interdisciplinary Humanities from Princeton and an MFA in Creative Writing (Nonfiction) from Columbia.
Moderator
Elliott Powell is Beverly and Richard Fink Professor in Liberal Arts, Associate Professor of American Studies and Asian American Studies, and affiliate faculty in the Department of African-American and African Studies and the Department of Gender, Women, and Sexuality Studies at the University of Minnesota. He is the author of Sounds from the Other Side: Afro-South Asian Collaborations in Black Popular Music (University of Minnesota Press), and at work on two projects, tentatively titled Prince, Porn, and Public Sex, which explores the politics of sex(uality) and music in Minneapolis during the 1980s, and Illegitimate Sounds, which explores the queer potentiality of recordings like demos that do not conform to commercial audio legibility.
